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Still, I am sure the script said that when Parashuram comes in Janak's court after the breaking of Shivdhanushya, he is supposed to be angry. The Rakshak mandali normally work by their make-up, and the only acting needed from them is laughing evilly.
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But then again, they were heros/Gods in ancient times, so may be that will be norm of those times.īut the extras/secondary actors leave much to be desired. And then, when the brothers tease Ram after he is in love with Seeta, the banter is way away from the reality. And how many people have noticed the look of incredulity/unbelief/envy on the face of Lakshman when Ram kills Tratika? He has kept his feelings pretty much in control other times, but here, he slipped. I am sure I heard little Bharat shouting “Yay!!!” when it was told he got maximum mangoes with his arrows (and I am pretty sure the word originated from “Yes”, giving us a shocking insight into the One Source of All Languages theory). Then again, kids will be kids and actors will be actors. But this helps when you are watching it again, so that you can forward all these things, and finish a half-hour episode in 10 min. I haven't yet come across a fully musical episode, but I am sure one such thing is lurking somewhere out there.
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For one thing, I am sure the music/song writers must have doubled up as dialogue writers, which must be the reason that each episode has about 80% songs/shlok + 10% music, the rest are dialogues. The special effects team was marvellous (for details, see below), and the main actors pulled off very good performances, which actually matched their characters.īut then, the “re”view of the episodes brought some more things to the light, which make these episodes a very good source of entertainment too. It is indeed filled with sometimes in-depth knowledge of our culture. If the kids are insisting on watching TV, these serials should be recast. At least my parents never had problem with us watching this, for the content and after watching again, now actually I am appreciating some of the things about our culture they showed/told in that serial. In fact, I think Ramayan started the whole trend of religious serials (which was taken way ahead by cable channels, so much so that only english channels would be worth watching from all those Gods who visit us through the channels). This was one of the first serials I liked on the TV.
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Guess many people must have such memories, given the sheer popularity of the serial.
RAMAYAN 2008 EPISODE 6 TV
In fact I remember watching a whole episode standing in front of TV shop (/hotel TV) when we were on Banglore for trip one Sunday.Īnyway, the reason I dragged all this history (ancient history for some) out in the open, is: recently I got access to the episodes of this epic, and watching them again refreshed all these memories of sitting in front of TV with the whole family, having the cup of coffee, and getting the dishes of breakfast out during advertisements. So famous that the traffic on Sunday mornings used to be sparse (the trend taken forward by Mahabharat, when traffic used to be zero).
RAMAYAN 2008 EPISODE 6 SERIAL
I don't need to tell anybody who had heard this that the serial Ramayan was extremely famous at those times. “Seeta-Ram Chareet Ati Pawan” (the Paa dragged) the only times I have heard these lines were sitting in front of TV or running to get in front of TV, and I am sure many people of you would say the same thing. (Say the heading in your best Narad "Narayan, Narayan" imitation)